This quiz works best with JavaScript enabled. Home > English Literature > Movements > Harlem Renaissance > Harlem Renaissance – Quiz 20 🏠 Homepage 📘 Download PDF Books 📕 Premium PDF Books Harlem Renaissance Quiz 20 (60 MCQs) Quiz Instructions Select an option to see the correct answer instantly. 1. This American Trumpeter and vocalist brought Jazz fever to both White and African Americans. A) James Brown. B) Ray Charles. C) Louis Armstrong. D) Stevie Wonder. Show Answer Correct Answer: C) Louis Armstrong. 2. This poem highlights the hope that African Americans might be able to experience fun and leisure as well. A) Refugee in America. B) I, Too. C) The Negro Speaks of Rivers. D) Dream Variations. Show Answer Correct Answer: D) Dream Variations. 3. ..... was considered one of the greatest poets during the Harlem Renaissance. A) Langston Hughes. B) Maya Angelou. C) Amanda Gorman. D) Levar Burton. Show Answer Correct Answer: A) Langston Hughes. 4. Which of the following did not contribute the end of the Harlem Renaissance? A) The Great Depression. B) The Harlem Riot of 1935. C) The Great Sausage war of 1776. D) None of above. Show Answer Correct Answer: C) The Great Sausage war of 1776. 5. What is the central metaphor utilized in the poem? A) The narrator describes a tiring climb up a beat-up staircase, which represents her persisting through difficulties and struggles in life. B) The narrator compares a crystal staircase to own life, symbolic of her own goals and the struggle towards them. C) The narrator describes her climb up a dirty staircase which transforms into a crystal stair, which represents her ability to rise above difficulties. D) The narrator describes herself going down a decrepit staircase, a figurative depiction of her continued problems. Show Answer Correct Answer: A) The narrator describes a tiring climb up a beat-up staircase, which represents her persisting through difficulties and struggles in life. 6. Who was the first African-American artist to have a solo exhibition at the Museum of Modern Art in New York City? A) Jacob Lawrence. B) Faith Ringgold. C) Jean-Michel Basquiat. D) Kara Walker. Show Answer Correct Answer: A) Jacob Lawrence. 7. Read the excerpt from Dr. Martin Luther King's "Letter from Birmingham Jail." We know through painful experience that freedom is never voluntarily given by the oppressor; it must be demanded by the oppressed. How does King support this claim? Below is the whole letter if you need it:Letter from Birmingham Jailby Martin Luther King Jr. 16 April 1963My Dear Fellow Clergymen:While confined here in the Birmingham city jail, I came across your recent statement calling my present activities "unwise and untimely." Seldom do I pause to answer criticism of my work and ideas. If I sought to answer all the criticisms that cross my desk, my secretaries would have little time for anything other than such correspondence in the course of the day, and I would have no time for constructive work. But since I feel that you are men of genuine good will and that your criticisms are sincerely set forth, I want to try to answer your statement in what I hope will be patient and reasonable terms. I think I should indicate why I am here in Birmingham, since you have been influenced by the view which argues against "outsiders coming in." I have the honor of serving as president of the Southern Christian Leadership Conference, an organization operating in every southern state, with headquarters in Atlanta, Georgia. We have some eighty-five affiliated organizations across the South, and one of them is the Alabama Christian Movement for Human Rights. Frequently we share staff, educational and financial resources with our affiliates. Several months ago the affiliate here in Birmingham asked us to be on call to engage in a nonviolent direct action program if such were deemed necessary. We readily consented, and when the hour came we lived up to our promise. So I, along with several members of my staff, am here because I was invited here. I am here because I have organizational ties here. But more basically, I am in Birmingham because injustice is here. Just as the prophets of the eighth century B.C. left their villages and carried their "thus saith the Lord" far beyond the boundaries of their home towns, and just as the Apostle Paul left his village of Tarsus and carried the gospel of Jesus Christ to the far corners of the Greco Roman world, so am I compelled to carry the gospel of freedom beyond my own home town. Like Paul, I must constantly respond to the Macedonian call for aid. Moreover, I am cognizant of the interrelatedness of all communities and states. I cannot sit idly by in Atlanta and not be concerned about what happens in Birmingham. Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly. Never again can we afford to live with the narrow, provincial "outside agitator" idea. Anyone who lives inside the United States can never be considered an outsider anywhere within its bounds. You deplore the demonstrations taking place in Birmingham. But your statement, I am sorry to say, fails to express a similar concern for the conditions that brought about the demonstrations. I am sure that none of you would want to rest content with the superficial kind of social analysis that deals merely with effects and does not grapple with underlying causes. It is unfortunate that demonstrations are taking place in Birmingham, but it is even more unfortunate that the city's white power structure left the Negro community with no alternative. In any nonviolent campaign there are four basic steps:collection of the facts to determine whether injustices exist; negotiation; self purification; and direct action. We have gone through all these steps in Birmingham. There can be no gainsaying the fact that racial injustice engulfs this community. Birmingham is probably the most thoroughly segregated city in the United States. Its ugly record of brutality is widely known. Negroes have experienced grossly unjust treatment in the courts. There have been more unsolved bombings of Negro homes and churches in Birmingham than in any other city in the nation. These are the hard, brutal facts of the case. On the basis of these conditions, Negro leaders sought to negotiate with the city fathers. But the latter consistently refused to engage in good faith negotiation ..... You may well ask: "Why direct action? Why sit ins, marches and so forth? Isn't negotiation a better path?" You are quite right in calling for negotiation. Indeed, this is the very purpose of direct action. Nonviolent direct action seeks to create such a crisis and foster such a tension that a community which has constantly refused to negotiate is forced to confront the issue. It seeks so to dramatize the issue that it can no longer be ignored. My citing the creation of tension as part of the work of the nonviolent resister may sound rather shocking. But I must confess that I am not afraid of the word "tension." I have earnestly opposed violent tension, but there is a type of constructive, nonviolent tension which is necessary for growth. Just as Socrates felt that it was necessary to create a tension in the mind so that individuals could rise from the bondage of myths and half truths to the unfettered realm of creative analysis and objective appraisal, so must we see the need for nonviolent gadflies to create the kind of tension in society that will help men rise from the dark depths of prejudice and racism to the majestic heights of understanding and brotherhood. The purpose of our direct action program is to create a situation so crisis packed that it will inevitably open the door to negotiation. I therefore concur with you in your call for negotiation.Too long has our beloved Southland been bogged down in a tragic effort to live in monologue rather than dialogue. One of the basic points in your statement is that the action that I and my associates have taken in Birmingham is untimely. Some have asked: "Why didn't you give the new city administration time to act?" The only answer that I can give to this query is that the new Birmingham administration must be prodded about as much as the outgoing one, before it will act. We are sadly mistaken if we feel that the election of Albert Boutwell as mayor will bring the millennium to Birmingham. While Mr. Boutwell is a much more gentle person than Mr. Connor, they are both segregationists, dedicated to maintenance of the status quo, I have hope that Mr. Boutwell will be reasonable enough to see the futility of massive resistance to desegregation. But he will not see this without pressure from devotees of civil rights. My friends, I must say to you that we have not made a single gain in civil rights without determined legal and nonviolent pressure. Lamentably, it is an historical fact that privileged groups seldom give up their privileges voluntarily. Individuals may see the moral light and voluntarily give up their unjust posture; but, as Reinhold Niebuhr has reminded us, groups tend to be more immoral than individuals. We know through painful experience that freedom is never voluntarily given by the oppressor; it must be demanded by the oppressed. Frankly, I have yet to engage in a direct action campaign that was "well timed" in the view of those who have not suffered unduly from the disease of segregation. For years now I have heard the word "Wait!" It rings in the ear of every Negro with piercing familiarity. This "Wait" has almost always meant "Never." We must come to see, with one of our distinguished jurists, that "justice too long delayed is justice denied." We have waited for more than 340 years for our constitutional and God given rights. The nations of Asia and Africa are moving with jetlike speed toward gaining political independence, but we still creep at horse and buggy pace toward gaining a cup of coffee at a lunch counter. Perhaps it is easy for those who have never felt the stinging darts of segregation to say, "Wait." But when you have seen vicious mobs lynch your mothers and fathers at will and drown your sisters and brothers at whim; when you have seen hate filled policemen curse, kick and even kill your black brothers and sisters; when you see the vast majority of your twenty million Negro brothers smothering in an airtight cage of poverty in the midst of an affluent society; when you suddenly find your tongue twisted and your speech stammering as you seek to explain to your six year old daughter why she can't go to the public amusement park that has just been advertised on television, and see tears welling up in her eyes when she is told that Funtown is closed to colored children, and see ominous clouds of inferiority beginning to form in her little mental sky, and see her beginning to distort her personality by developing an unconscious bitterness toward white people; when you have to concoct an answer for a five year old son who is asking: "Daddy, why do white people treat colored people so mean?"; when you take a cross county drive and find it necessary to sleep night after night in the uncomfortable corners of your automobile because no motel will accept you; when you are humiliated day in and day out by nagging signs reading "white" and "colored"; ..... when you are harried by day and haunted by night by the fact that you are a Negro, living constantly at tiptoe stance, never quite knowing what to expect next, and are plagued with inner fears and outer resentments; when you are forever fighting a degenerating sense of "nobodiness"-then you will understand why we find it difficult to wait. There comes a time when the cup of endurance runs over, and men are no longer willing to be plunged into the abyss of despair. I hope, sirs, you can understand our legitimate and unavoidable impatience. You express a great deal of anxiety over our willingness to break laws. This is certainly a legitimate concern. Since we so diligently urge people to obey the Supreme Court's decision of 1954 outlawing segregation in the public schools, at first glance it may seem rather paradoxical for us consciously to break laws. One may well ask: "How can you advocate breaking some laws and obeying others?" The answer lies in the fact that there are two types of laws:just and unjust. I would be the first to advocate obeying just laws. One has not only a legal but a moral responsibility to obey just laws. Conversely, one has a moral responsibility to disobey unjust laws. I would agree with St. Augustine that "an unjust law is no law at all." Now, what is the difference between the two? How does one determine whether a law is just or unjust? A just law is a man made code that squares with the moral law or the law of God. An unjust law is a code that is out of harmony with the moral law. To put it in the terms of St. Thomas Aquinas:An unjust law is a human law that is not rooted in eternal law and natural law. Any law that uplifts human personality is just. Any law that degrades human personality is unjust. All segregation statutes are unjust because segregation distorts the soul and damages the personality. It gives the segregator a false sense of superiority and the segregated a false sense of inferiority ..... Thus it is that I can urge men to obey the 1954 decision of the Supreme Court, for it is morally right; and I can urge them to disobey segregation ordinances, for they are morally wrong ..... Sometimes a law is just on its face and unjust in its application. For instance, I have been arrested on a charge of parading without a permit. Now, there is nothing wrong in having an ordinance which requires a permit for a parade. But such an ordinance becomes unjust when it is used to maintain segregation and to deny citizens the First-Amendment privilege of peaceful assembly and protest. I hope you are able to see the distinction I am trying to point out. In no sense do I advocate evading or defying the law, as would the rabid segregationist. That would lead to anarchy. One who breaks an unjust law must do so openly, lovingly, and with a willingness to accept the penalty. I submit that an individual who breaks a law that conscience tells him is unjust, and who willingly accepts the penalty of imprisonment in order to arouse the conscience of the community over its injustice, is in reality expressing the highest respect for law. Of course, there is nothing new about this kind of civil disobedience. It was evidenced sublimely in the refusal of Shadrach, Meshach and Abednego to obey the laws of Nebuchadnezzar, on the ground that a higher moral law was at stake. It was practiced superbly by the early Christians, who were willing to face hungry lions and the excruciating pain of chopping blocks rather than submit to certain unjust laws of the Roman Empire. To a degree, academic freedom is a reality today because Socrates practiced civil disobedience. In our own nation, the Boston Tea Party represented a massive act of civil disobedience. We should never forget that everything Adolf Hitler did in Germany was "legal" and everything the Hungarian freedom fighters did in Hungary was "illegal." It was "illegal" to aid and comfort a Jew in Hitler's Germany. Even so, I am sure that, had I lived in Germany at the time, I would have aided and comforted my Jewish brothers. If today I lived in a Communist country where certain principles dear to the Christian faith are suppressed, I would openly advocate disobeying that country's antireligious laws. I must make two honest confessions to you, my Christian and Jewish brothers. First, I must confess that over the past few years I have been gravely disappointed with the white moderate. I have almost reached the regrettable conclusion that the Negro's great stumbling block in his stride toward freedom is not the White Citizen's Counciler or the Ku Klux Klanner, but the white moderate, who is more devoted to "order" than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: "I agree with you in the goal you seek, but I cannot agree with your methods of direct action"; who paternalistically believes he can set the timetable for another man's freedom; who lives by a mythical concept of time and who constantly advises the Negro to wait for a "more convenient season." Shallow understanding from people of good will is more frustrating than absolute misunderstanding from people of ill will. Lukewarm acceptance is much more bewildering than outright rejection. I had hoped that the white moderate would understand that law and order exist for the purpose of establishing justice and that when they fail in this purpose they become the dangerously structured dams that block the flow of social progress. I had hoped that the white moderate would understand that the present tension in the South is a necessary phase of the transition from an obnoxious negative peace, in which the Negro passively accepted his unjust plight, to a substantive and positive peace, in which all men will respect the dignity and worth of human personality. Actually, we who engage in nonviolent direct action are not the creators of tension. We merely bring to the surface the hidden tension that is already alive. We bring it out in the open, where it can be seen and dealt with. Like a boil that can never be cured so long as it is covered up but must be opened with all its ugliness to the natural medicines of air and light, injustice must be exposed, with all the tension its exposure creates, to the light of human conscience and the air of national opinion before it can be cured. In your statement you assert that our actions, even though peaceful, must be condemned because they precipitate violence. But is this a logical assertion? Isn't this like condemning a robbed man because his possession of money precipitated the evil act of robbery? Isn't this like condemning Socrates because his unswerving commitment to truth and his philosophical inquiries precipitated the act by the misguided populace in which they made him drink hemlock? Isn't this like condemning Jesus because his unique God consciousness and never ceasing devotion to God's will precipitated the evil act of crucifixion? We must come to see that, as the federal courts have consistently affirmed, it is wrong to urge an individual to cease his efforts to gain his basic constitutional rights because the quest may precipitate violence. Society must protect the robbed and punish the robber. I had also hoped that the white moderate would reject the myth concerning time in relation to the struggle for freedom. I have just received a letter from a white brother in Texas. He writes: "All Christians know that the colored people will receive equal rights eventually, but it is possible that you are in too great a religious hurry. It has taken Christianity almost two thousand years to accomplish what it has. The teachings of Christ take time to come to earth." Such an attitude stems from a tragic misconception of time, from the strangely irrational notion that there is something in the very flow of time that will inevitably cure all ills. Actually, time itself is neutral; it can be used either destructively or constructively. More and more I feel that the people of ill will have used time much more effectively than have the people of good will. We will have to repent in this generation not merely for the hateful words and actions of the bad people but for the appalling silence of the good people. Human progress never rolls in on wheels of inevitability; it comes through the tireless efforts of men willing to be co workers with God, and without this hard work, time itself becomes an ally of the forces of social stagnation. We must use time creatively, in the knowledge that the time is always ripe to do right. Now is the time to make real the promise of democracy and transform our pending national elegy into a creative psalm of brotherhood. Now is the time to lift our national policy from the quicksand of racial injustice to the solid rock of human dignity. You speak of our activity in Birmingham as extreme. At first I was rather disappointed that fellow clergymen would see my nonviolent efforts as those of an extremist. I began thinking about the fact that I stand in the middle of two opposing forces in the Negro community. One is a force of complacency, made up in part of Negroes who, as a result of long years of oppression, are so drained of self respect and a sense of "somebodiness" that they have adjusted to segregation; and in part of a few middle-class Negroes who, because of a degree of academic and economic security and because in some ways they profit by segregation, have become insensitive to the problems of the masses. The other force is one of bitterness and hatred, and it comes perilously close to advocating violence. It is expressed in the various black nationalist groups that are springing up across the nation, the largest and best known being Elijah Muhammad's Muslim movement. Nourished by the Negro's frustration over the continued existence of racial discrimination, this movement is made up of people who have lost faith in America, who have absolutely repudiated Christianity, and who have concluded that the white man is an incorrigible "devil." I have tried to stand between these two forces, saying that we need emulate neither the "do nothingism" of the complacent nor the hatred and despair of the black nationalist. For there is the more excellent way of love and nonviolent protest. I am grateful to God that, through the influence of the Negro church, the way of nonviolence became an integral part of our struggle. If this philosophy had not emerged, by now many streets of the South would, I am convinced, be flowing with blood. And I am further convinced that if our white brothers dismiss as "rabble rousers" and "outside agitators" those of us who employ nonviolent direct action, and if they refuse to support our nonviolent efforts, millions of Negroes will, out of frustration and despair, seek solace and security in black nationalist ideologies-a development that would inevitably lead to a frightening racial nightmare. Oppressed people cannot remain oppressed forever. The yearning for freedom eventually manifests itself, and that is what has happened to the American Negro. Something within has reminded him of his birthright of freedom, and something without has reminded him that it can be gained. Consciously or unconsciously, he has been caught up by the Zeitgeist, and with his black brothers of Africa and his brown and yellow brothers of Asia, South America and the Caribbean, the United States Negro is moving with a sense of great urgency toward the promised land of racial justice. If one recognizes this vital urge that has engulfed the Negro community, one should readily understand why public demonstrations are taking place. The Negro has many pent up resentments and latent frustrations, and he must release them. So let him march; let him make prayer pilgrimages to the city hall; let him go on freedom rides-and try to understand why he must do so. If his repressed emotions are not released in nonviolent ways, they will seek expression through violence; this is not a threat but a fact of history. So I have not said to my people: "Get rid of your discontent." Rather, I have tried to say that this normal and healthy discontent can be channeled into the creative outlet of nonviolent direct action. And now this approach is being termed extremist. But though I was initially disappointed at being categorized as an extremist, as I continued to think about the matter I gradually gained a measure of satisfaction from the label. Was not Jesus an extremist for love: "Love your enemies, bless them that curse you, do good to them that hate you, and pray for them which despitefully use you, and persecute you." Was not Amos an extremist for justice: "Let justice roll down like waters and righteousness like an ever flowing stream." Was not Paul an extremist for the Christian gospel: "I bear in my body the marks of the Lord Jesus." Was not Martin Luther an extremist: "Here I stand; I cannot do otherwise, so help me God." And John Bunyan: "I will stay in jail to the end of my days before I make a butchery of my conscience." And Abraham Lincoln: "This nation cannot survive half slave and half free." And Thomas Jefferson: "We hold these truths to be self evident, that all men are created equal ..... " So the question is not whether we will be extremists, but what kind of extremists we will be. Will we be extremists for hate or for love? Will we be extremists for the preservation of injustice or for the extension of justice? In that dramatic scene on Calvary's hill three men were crucified. We must never forget that all three were crucified for the same crime-the crime of extremism. Two were extremists for immorality, and thus fell below their environment. The other, Jesus Christ, was an extremist for love, truth and goodness, and thereby rose above his environment. Perhaps the South, the nation and the world are in dire need of creative extremists. I wish you had commended the Negro sit inners and demonstrators of Birmingham for their sublime courage, their willingness to suffer and their amazing discipline in the midst of great provocation. One day the South will recognize its real heroes. They will be the James Merediths, with the noble sense of purpose that enables them to face jeering and hostile mobs, and with the agonizing loneliness that characterizes the life of the pioneer. They will be old, oppressed, battered Negro women, symbolized in a seventy two year old woman in Montgomery, Alabama, who rose up with a sense of dignity and with her people decided not to ride segregated buses, and who responded with ungrammatical profundity to one who inquired about her weariness: "My feets is tired, but my soul is at rest." They will be the young high school and college students, the young ministers of the gospel and a host of their elders, courageously and nonviolently sitting in at lunch counters and willingly going to jail for conscience' sake. One day the South will know that when these disinherited children of God sat down at lunch counters, they were in reality standing up for what is best in the American dream and for the most sacred values in our Judeo-Christian heritage, thereby bringing our nation back to those great wells of democracy which were dug deep by the founding fathers in their formulation of the Constitution and the Declaration of Independence. Never before have I written so long a letter. I'm afraid it is much too long to take your precious time. I can assure you that it would have been much shorter if I had been writing from a comfortable desk, but what else can one do when he is alone in a narrow jail cell, other than write long letters, think long thoughts and pray long prayers? If I have said anything in this letter that overstates the truth and indicates an unreasonable impatience, I beg you to forgive me. If I have said anything that understates the truth and indicates my having a patience that allows me to settle for anything less than brotherhood, I beg God to forgive me. I hope this letter finds you strong in the faith. I also hope that circumstances will soon make it possible for me to meet each of you, not as an integrationist or a civil-rights leader but as a fellow clergyman and a Christian brother. Let us all hope that the dark clouds of racial prejudice will soon pass away and the deep fog of misunderstanding will be lifted from our fear drenched communities, and in some not too distant tomorrow the radiant stars of love and brotherhood will shine over our great nation with all their scintillating beauty. Yours for the cause of Peace and Brotherhood, Martin Luther King Jr. A) By describing his own experience with waiting for civil rights. B) By providing quotes from militant civil rights demonstrators. C) By explaining the racist attitudes of white politicians. D) By recalling a dream of his in which all people were equal. Show Answer Correct Answer: A) By describing his own experience with waiting for civil rights. 8. What impact did the recognition and acceptance of black culture by white society during the Harlem Renaissance have? A) It challenged prevailing stereotypes and prejudices about black Americans. B) It led to the resurgence of the Ku Klux Klan. C) It dismantled voting rights through tactics like literacy tests and the grandfather clause. D) It fostered a sense of racial pride and encouraged black individuals to resist their subservient roles in society. Show Answer Correct Answer: A) It challenged prevailing stereotypes and prejudices about black Americans. 9. A comparison between 2 things that are otherwise unrelated. A) Imagery. B) Personification. C) Metaphor. D) Simile. Show Answer Correct Answer: C) Metaphor. 10. Why did the author include the following section in the article, "The Harlem Renaissance" (paragraph 5)? Many [African-Americans] discovered they had shared common experiences in their past histories and their uncertain lives of the present. Instead of wallowing in self-pity, they ignited an explosion of cultural pride. This time period when African-American culture was reborn in New York City in the 1920s is known as the Harlem Renaissance. A) The author is explaining how the experiences of African-Americans developed The Harlem Renaissance. B) The author is explaining how the American people became involved in The Harlem Renaissance. C) The author is showing that many African-Americans were in agreement with each other. D) The author is showing the similar mindset of many African-Americans of the time. Show Answer Correct Answer: A) The author is explaining how the experiences of African-Americans developed The Harlem Renaissance. 11. True or False:white urban dwellers became patrons of African American art and the nightlife in Harlem A) True. B) False. Show Answer Correct Answer: A) True. 12. Which quotation from the text best describes African Americans' experiences in the South in the 1800s and 1900s? A) "segregation, racist attitudes, and violence prevented African Americans from improving their circumstances." (Paragraph 2). B) "In the early 1900s, African Americans began moving to the North in the hopes of finding better paying jobs in city factories instead of on farms." (Paragraph 3). C) "In 1910, a group of African American realtors purchased several blocks in the area and opened the neighborhood to Black migrants from the South." (Paragraph 3). D) "Violence from white people who resented the presence of Black migrants new to the cities occurred frequently." (Paragraph 4). Show Answer Correct Answer: A) "segregation, racist attitudes, and violence prevented African Americans from improving their circumstances." (Paragraph 2). 13. What can you infer about the economic status of African Americans prior to the Harlem Renaissance? A) Nearly all were unemployed. B) Most were considered lower class. C) The vast majority were considered middle class. D) A large percentage were considered wealthy. Show Answer Correct Answer: B) Most were considered lower class. 14. Which information below best describes the structure of the article, "The Harlem Renaissance?" A) 5 subsections, 10 paragraphs, and 5 graphics. B) 6 subsections, 8 paragraphs, and 4 graphics. C) 5 subsections, 10 paragraphs, and 4 graphics. D) 6 subsections, 10 paragraphs, and 5 graphics. Show Answer Correct Answer: B) 6 subsections, 8 paragraphs, and 4 graphics. 15. Which of the following was not a musician during this time? A) Billie Holiday. B) Evelyn Preer. C) Duke Ellington. D) Louis Armstrong. Show Answer Correct Answer: B) Evelyn Preer. 16. What does Marcus Garvey's quote help us understand about the Harlem Renaissance? A) Black writers artists musicians and thinkers fought back against racist ideas that portrayed African Americans as inferior to white people. B) Black Americans did not fight back they were afraid and sad. Show Answer Correct Answer: A) Black writers artists musicians and thinkers fought back against racist ideas that portrayed African Americans as inferior to white people. 17. This theater grew to prominence during the Harlem Renaissance A) The Beacon. B) Carnegie Hall. C) The Apollo. D) Lincoln Center. Show Answer Correct Answer: C) The Apollo. 18. Famous dancer and entertainer during the Harlem Renaissance; danced the Charleston. Grew in fame as a performer in France. A) Jessie Redmon Fauset. B) Josephine Baker. C) Bessie Smith. D) Zora Neale Hurston. Show Answer Correct Answer: B) Josephine Baker. 19. "The tall lank youth, whose every movement was a protest against being hurried, dragged himself over to the telegraph key." 1. How does this description of the "youth" help establish the conflict between him and Durmont? A) By showing how the youth does not take Durmont's problem seriously. B) By conveying that the youth does not think the telegraph will work. Show Answer Correct Answer: A) By showing how the youth does not take Durmont's problem seriously. 20. She was a dancer and performer. He starred in the original musical play, Shuffle Along. She was known for her beautiful voice and great dancing. She was called, "Blackbird" and "The Queen of Happiness." Who was she? A) Duke Ellington. B) Bessie Coleman. C) Sandra Day O'Connor. D) Florence Mills. Show Answer Correct Answer: D) Florence Mills. 21. What was Thomas Edison most well known invention? A) Light bulb. B) Car. C) Electricity. D) Hospital. Show Answer Correct Answer: A) Light bulb. 22. Organization founded in 1909 to promote full racial equality A) Knights of the Old Republic. B) The First Order. C) National Association for the Advancement of Colored People (NAACP). D) Black Panther Party. Show Answer Correct Answer: C) National Association for the Advancement of Colored People (NAACP). 23. Where was the most popular place to settle in the north? A) Pittsburgh, Pennsylvania. B) Chicago, Illinois. C) Harlem in New York City. D) Upstate New York. Show Answer Correct Answer: C) Harlem in New York City. 24. Which was NOT a reason many African Americans moved in the Great Migration A) The North had more job opportunities. B) The Weather in the South was too uncomfortable. C) The North had more opportunities for African Americans To display their talents. D) To escape laws based on Segregation. Show Answer Correct Answer: B) The Weather in the South was too uncomfortable. 25. The Harlem Renaissance began and ended in roughly the following years ..... A) 1900-early 1920's. B) 1916-early 1970's. C) 1942-1945. D) 1919-early 1940's. Show Answer Correct Answer: D) 1919-early 1940's. 26. Produced over 40 movies during the 1920s that had all African American casts. His movies discussed critical topics from an African American point of view. A) Aaron Douglas. B) Jacob Lawrence. C) Oscar Micheaux. D) James Van der Zee. Show Answer Correct Answer: C) Oscar Micheaux. 27. What was Langston's 1st major published poem? A) The Negro Speaks of Fear. B) The Negro Speaks of Rivers. C) The Negro Speaks of Days. D) The Negro Speaks of Roads. Show Answer Correct Answer: B) The Negro Speaks of Rivers. 28. The cultural significance of the Harlem Renaissance was that it was a vital era during which African American culture thrived, producing iconic figures in jazz, art, drama, and poetry. A) True. B) False. Show Answer Correct Answer: A) True. 29. Trial of a Tennessee public school biology teacher for teaching the theory of evolution. A) Scope's Trial. B) Red Scare. C) Fundamentalism. D) Sacco and Vanzetti Trial. Show Answer Correct Answer: A) Scope's Trial. 30. (US.28) In what is known as The Great Migration, large numbers of African Americans moved from the rural south to northern cities, beginning in the early twentieth century. What motivated this large-scale movement? A) Job openings due to industrial growth in northern cities. B) The opportunity to serve in the military in World War I. C) Competition for jobs from immigrants moving into southern states. D) The Emancipation Proclamation. Show Answer Correct Answer: A) Job openings due to industrial growth in northern cities. 31. For what is Adelaide Hall well known for A) Her recordings with Frank Sinatra. B) Her recordings with Duke Ellington. C) Being the oldest living person. D) Eating 54 hot dogs in 2 minutes. Show Answer Correct Answer: B) Her recordings with Duke Ellington. 32. Do you need to answer what the author is saying and your thoughts on it? A) Yes. B) No. Show Answer Correct Answer: A) Yes. 33. Who introduced a new form of poetry known as jazz poetry? A) Langston Hughes. B) Marcus Garvey. C) WEB DuBois. D) Jelly Roll Morton. Show Answer Correct Answer: A) Langston Hughes. 34. A group of musicians who play together and who are led by a conductor A) Scat. B) Swing. C) Orchestra. D) Syncopated. Show Answer Correct Answer: C) Orchestra. 35. What does the phrase 'We'll just keep our hearts aglow" indicate about how the lovers plan on dealing with the "dark ..... path" ? A) They will run from danger. B) They will ask others for help. C) They will share memories with each other. D) They will use their love to get through trouble. Show Answer Correct Answer: D) They will use their love to get through trouble. 36. A poem WITHOUT fixed patterns of meter or rhyme scheme A) Free Verse. B) Blank Verse. C) Sonnet. D) Ballad. Show Answer Correct Answer: A) Free Verse. 37. What time period is the Great Gatsby set in? A) Roaring 20's-1920s. B) Great Depression-1930s. C) Gilded Age-1880s-1900s. D) Progressive Era-1900-1910s. Show Answer Correct Answer: A) Roaring 20's-1920s. 38. Jazz singer discovered at the Apollo A) Ella Fitzgerald. B) Lena Horne. C) A'Lelia Walker. D) Marian Anderson. Show Answer Correct Answer: A) Ella Fitzgerald. 39. Who was Langston Hughes? ONLY 1 CORRECT ANSWER!! A) An artist during the Harlem Renaissance. B) A jazz musician in the Harlem Renaissance. C) The 27th president of the U.S. D) An author who was part of the Harlem Renaissance. Show Answer Correct Answer: D) An author who was part of the Harlem Renaissance. 40. Who was W. E. B. Dubois? A) An African American writer who wrote The Souls of Black Folk that raised awareness of their culture and celebrated pride in their people. B) A famous African American musician during this time of the Harlem Renaissance. C) A well known African American actors that was very popular during this time in Harlem. D) None of above. Show Answer Correct Answer: A) An African American writer who wrote The Souls of Black Folk that raised awareness of their culture and celebrated pride in their people. 41. T or F:Langston Hughes was 17 when he wrote his first poem. A) True. B) False. Show Answer Correct Answer: A) True. 42. Which of the following was a key component of the Harlem Renaissance? A) Dance and theater. B) Sports and entertainment. C) Painting and sculpture. D) Music and literature. Show Answer Correct Answer: D) Music and literature. 43. What was the name of the publication founded by W.E.B. DuBois? A) The Soldier. B) The Harlem Renaissance. C) The Great Migration. D) The Crisis. Show Answer Correct Answer: D) The Crisis. 44. How did W.E.B. Du Bois contribute to the Harlem Renaissance? A) He led a movement to return to Africa. B) He wrote plays about the African-American experience. C) He wrote about the struggle for African-American identity. D) He composed music based on African American motifs. Show Answer Correct Answer: C) He wrote about the struggle for African-American identity. 45. An explosion of African American artistic creativity during the 1920s, centered around New York City A) The Negro Enlightenment. B) The Black Lights. C) The African Diaspora. D) The Harlem Rennasaince. Show Answer Correct Answer: D) The Harlem Rennasaince. 46. Who did Hurston compare to "bags of miscellany" ? A) Every person. B) African American Northerners. C) White Northerns. D) Slaves. Show Answer Correct Answer: A) Every person. 47. Which group wanted to change the Paris Peace Treaty to ensure the US would not be forced to go to war? A) Irreconcilables. B) Wilson Democrats. C) The League of Nations. D) Reservationists. Show Answer Correct Answer: D) Reservationists. 48. "The Harlem Renaissance":Which visual aid would be most effective for an oral presentation on Langston Hughes' contributions to the Harlem Renaissance? A) A list of African-American authors who were mentors to Hughes. B) A timeline of Hughes' life from childhood to adulthood. C) A photograph of Hughes as a young man in the early 1920s. D) A projected image of one of Hughes' poems from the 1920s. Show Answer Correct Answer: D) A projected image of one of Hughes' poems from the 1920s. 49. Read the excerpt from Brown v. Board of Education. In each of the cases other than the Delaware case, a three-judge federal district court denied relief to the plaintiffs on the so-called "separate but equal" doctrine announced by this Court in Plessy v. Ferguson, 163 U.S. 537. The Supreme Court cites these cases because it seeks to ..... A) Describe the unique situation in Delaware courts. B) Illustrate the racial biases of federal court judges. C) Establish the existing legal standard for education. D) Share the unique differences between the given cases. Show Answer Correct Answer: C) Establish the existing legal standard for education. 50. Scandalous segregated dancing A) Cotton Club. B) Savoy Ballroom. C) Porgy and Bess. D) Apollo Theater. Show Answer Correct Answer: B) Savoy Ballroom. 51. Which country never joined the League of Nations? A) France. B) United States. C) Germany. D) Great Britain. Show Answer Correct Answer: B) United States. 52. Artist first known for his paintings about the Great Migration painted in 1940-1941 A) Oscar Micheaux. B) Jacob Lawrence. C) Aaron Douglas. D) Langston Hughes. Show Answer Correct Answer: B) Jacob Lawrence. 53. Which actor/actress played in the NFL? A) Charles Giplin. B) Ethel Waters. C) Oscar Micheaux. D) Paul Robeson. Show Answer Correct Answer: D) Paul Robeson. 54. Hope, Pride, ..... & ..... were all major themes found in artistic works of the Harlem Renaissance era. A) Love, Anger. B) Sadness, Despair. C) Love, Sadness. D) Anger, Confusion. Show Answer Correct Answer: D) Anger, Confusion. 55. Who are the giants uncle Bates mentions? A) Giants from South and North. B) It refers to writers, musicians, thinkers and artists participated in Harlem Renaissance. C) It refers to black Americans from the Great Migration. D) None of above. Show Answer Correct Answer: B) It refers to writers, musicians, thinkers and artists participated in Harlem Renaissance. 56. In Hughes poem, what does the word "weary" mean? A) Loudness. B) Feeling of excitement. C) Responsive. D) Feeling or showing tiredness. Show Answer Correct Answer: D) Feeling or showing tiredness. 57. One writer who spent much time researching and writing about the beauty of African American folklore and heritage was A) Edna St. Vincent Millay. B) Dorothy Parker. C) Zora Heale Hurston. D) Phillis Wheatley. Show Answer Correct Answer: C) Zora Heale Hurston. 58. Slavery was abolished after the Civil War. Abolished means ..... A) Ignored. B) Ended. C) Started. D) Debated. Show Answer Correct Answer: B) Ended. 59. Aaron Copland and Gershwin were composers who heavily influenced American ..... A) Literature. B) Music. C) Art. D) Politics. Show Answer Correct Answer: B) Music. 60. It's famous Amateur Night was known for brutal crowds A) Savoy Ballroom. B) Cotton Club. C) Apollo Theater. D) Rent parties. Show Answer Correct Answer: C) Apollo Theater. ← PreviousNext →Related QuizzesMovements QuizzesEnglish Literature QuizzesHarlem Renaissance Quiz 1Harlem Renaissance Quiz 2Harlem Renaissance Quiz 3Harlem Renaissance Quiz 4Harlem Renaissance Quiz 5Harlem Renaissance Quiz 6Harlem Renaissance Quiz 7Harlem Renaissance Quiz 8 🏠 Back to Homepage 📘 Download PDF Books 📕 Premium PDF Books